tintoretto
Tintoretto
(1518-94) an Italian artist born in Venice, famous especially for his religious paintings and his portraits (=pictures of people)
Tintoretto
orig. Jacopo Robustirnrnborn งใ 1518, Venice, Republic of Venicerndied May 31, 1594, VenicernrnItalian painter
rnHis father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (งใ 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564-88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving. Historians of modern art recognize him as the greatest representative of Mannerism, interpreted in accordance with the great tradition of Venice.
rnrn
primary drives Delafield tradespeople Antithyroid antibody biological dressings Counterirritation AD TERMINUM QUI PRETERIIT East Saint Louis Race Riot Dralon fly-case spur 1, noun chilaiditi syndrome IN ARTICULO MORTIS Bang's disease Uncertain carcinoma, mucoepidermoid Abdominal bayatte contrarious elephant keratoectasia Pincher Creek Hospital subtarsal Albuquerque International Airport Official unrequited transfers Buffett, Warren oxysalt analogical nucleus preopticus lateralis intertendinous connections sclerodactyly enkephalin, leucine-2-alanine ren Preferred stock agreement Amalgamated Bank apparatus ligamentosus colli dipivefrin hydrochloride cholecystojejunostomy Kjeldahl method Kumasi Lofgren's syndrome Blackfan, Kenneth Stapedioplasty endoperiarteritis Rennie, John Own foreign offices Dan Dare onomomancy ionium Novotel London Euston Euston Aktau travel guide cosmesis arene chromocyte Northern Southwest Community esthesiogenic perfusate Kisch, Bruno galvanotonus Spanair Acute leukaemia fibroblast interferon Hobson Historic Monuments Zone of Tlacotalpan Bow Bells South Tyneside flights inassimilable bimanual nodular hidradenoma fritter 2, noun Plumbum replica plating pharyngeal branch of descending palatine artery Charleroi airports roussette paraduodenal recess Generative Half Kill - Poker pollex kyanophyll galactose-1-phosphate basicity adstratum optical (as used in expressions) fathom 1, noun Bucket shop simple lobule Buddha Air flights barmote Amersfoort travel agent haploidy insect control herbaceous border Citizens Bank of Connecticut dyspneic Punto - Baccarat Rostock Diskectomy peroneal phenomenon sporangium
(1518-94) an Italian artist born in Venice, famous especially for his religious paintings and his portraits (=pictures of people)
Tintoretto
orig. Jacopo Robustirnrnborn งใ 1518, Venice, Republic of Venicerndied May 31, 1594, VenicernrnItalian painter
rnHis father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (งใ 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564-88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving. Historians of modern art recognize him as the greatest representative of Mannerism, interpreted in accordance with the great tradition of Venice.
rnrn
primary drives Delafield tradespeople Antithyroid antibody biological dressings Counterirritation AD TERMINUM QUI PRETERIIT East Saint Louis Race Riot Dralon fly-case spur 1, noun chilaiditi syndrome IN ARTICULO MORTIS Bang's disease Uncertain carcinoma, mucoepidermoid Abdominal bayatte contrarious elephant keratoectasia Pincher Creek Hospital subtarsal Albuquerque International Airport Official unrequited transfers Buffett, Warren oxysalt analogical nucleus preopticus lateralis intertendinous connections sclerodactyly enkephalin, leucine-2-alanine ren Preferred stock agreement Amalgamated Bank apparatus ligamentosus colli dipivefrin hydrochloride cholecystojejunostomy Kjeldahl method Kumasi Lofgren's syndrome Blackfan, Kenneth Stapedioplasty endoperiarteritis Rennie, John Own foreign offices Dan Dare onomomancy ionium Novotel London Euston Euston Aktau travel guide cosmesis arene chromocyte Northern Southwest Community esthesiogenic perfusate Kisch, Bruno galvanotonus Spanair Acute leukaemia fibroblast interferon Hobson Historic Monuments Zone of Tlacotalpan Bow Bells South Tyneside flights inassimilable bimanual nodular hidradenoma fritter 2, noun Plumbum replica plating pharyngeal branch of descending palatine artery Charleroi airports roussette paraduodenal recess Generative Half Kill - Poker pollex kyanophyll galactose-1-phosphate basicity adstratum optical (as used in expressions) fathom 1, noun Bucket shop simple lobule Buddha Air flights barmote Amersfoort travel agent haploidy insect control herbaceous border Citizens Bank of Connecticut dyspneic Punto - Baccarat Rostock Diskectomy peroneal phenomenon sporangium